Movies

Today, Universal/Blumhouse’s Five Nights at Freddy‘s is clocking past the $100M domestic mark, a box office milestone for the studio when it comes to its experimental theatrical day-and-date releases on its Peacock streaming service. That’s not only the highest that Uni has seen from a pic that’s been distributed via such means at the box
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For over 100 days now, tons of actors have been out of work and on the picket line during SAG-AFTRA’s actors strike as the organization goes back and forth with Hollywood studios on updated negotiations for actors in the age of streaming and AI. Part of the strike has meant actors are not promoting their
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A24’s Priscilla by Sofia Coppola catapults from four screens to 1,300, Alexander Payne’s The Holdovers from Focus Features expands to 60 from six and two new indies have wide debuts — What Happens Later from Bleecker Street, directed by and starring Meg Ryan, opens at 1,400 locations and Daisy Ridley-starring The Marsh King’s Daughter from Roadside
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There are film franchises, and then there’s Harry Potter. The eight-film movie adaption continues to be wildly popular in the years since it wrapped, with the cast of Harry Potter remaining iconic for their tenure in the Wizarding World. Fans will get a peek behind the curtain with the upcoming documentary The Boy Who Lived,
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Normally when CinemaBlend does a staff-wide best-of list, the loudest and most aggressive arguments are about the order. Not for The Best Christmas Movies. Sure, plenty of us have #thoughts about a few festive choices being too low or too high, but the most heated conversations were all about what counts as a Christmas movie
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EXCLUSIVE: Cohen Media Group will be releasing Driving Madeleine, the next movie from Oscar-nominated director Christian Carion’s (Joyeux Noel), on Jan. 12, 2024 in limited release. Written and directed by Carion, and starring Line Renaud (Dirty Money, Cop or Hood) and Dany Boon (Nothing to Declare, Family is Family, Murder Mystery), Driving Madeleine follows the
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EXCLUSIVE: Bleecker Street‘s survival horror thriller The Origin, which debuted recently at Fantastic Fest, is getting a title change, now known as Out of Darkness and will hit theaters on February 9. Directed by Scottish helmer Andrew Cumming (Radiance, Clique) and written by Ruth Greenberg (The Spark) in both of their feature debuts, Out of
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Broadway box office held fairly steady heading into trick or treat season, with receipts for the week ending Oct. 29 at $26,480,578 (about 6% down from the previous week) and attendance at 218,581 (a slip of just 3%). Staying strong was Merrily We Roll Along, enjoying another sell-out week, with the roster’s top average ticket
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Independents are out in force with high-profile fall festival fare from Pricilla to The Holdovers, a big Viva Pictures push with Inspector Sun (voiced by Ronny Chieng), Cannes documentary winner Four Daughters and Waikiki, the debut feature by Hawaiian filmmaker Christopher Kahunahana. the first homegrown feature to be shown there. Sofia Coppola’s Priscilla from A24
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In the last decade, few filmmakers have provided greater contributions to the world of cinematic horror than Mike Flanagan. From big screen features to streaming movies to miniseries, the man has demonstrated an immense skill when it comes to balancing substantial and emotional themes with monsters and supernatural forces. It’s been a wonderful thing to
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Refresh for latest…: Universal/Blumhouse’s Five Nights at Freddy’s is gaming its way to an estimated $130.6M global opening, higher even than we had it yesterday as this phenom is now eyeing a $52.6M bow from 64 international box office markets. As Anthony has chronicled, the domestic $78M opening is a stunner — and amid the
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Alexander Payne’s The Holdovers from Focus Features pulled in an estimated $200k on six screens in New York and LA for a per-screen average of $33.3k, a good limited opening on an upbeat specialty weekend that also saw A24’s Priscilla by Sofia Coppola off to a fine start. We’re in anomalous times with the ongoing
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Throughout the landscape of streaming television, the subject of the opioid crisis has risen in profile rather quickly. Series like Hulu’s Dopesick and Netflix’s Painkiller have started the process of digging into this modern problem, opening the door for narrative feature films to do the same.  The latter streaming provider/studio has seized that opportunity through
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EXCLUSIVE: “We may have a big hit on our hands,” beamed one person close to the production of Universal/Blumhouse’s feature take of videogame Five Nights at Freddy‘s today. And while the movie, which hits theatrical-day-and-date today on screens at 2PM and on Peacock at 6PM is projected to do around $50M, there are some crazy
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It was almost two years ago when Kristen Stewart announced that her and Dylan Meyer were officially fiancées, and at the time, she came in hot with some unique ideas for the wedding, including the hope that Guy Fieri might officiate their nuptials. Shortly after K-Stew made her love of the Mayor of Flavortown known,
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In the wake of Warner Bros’ pushing the Robert De Niro gangster pic Alto Knights to later in 2024, release date changes are aplenty for Disney due to the actors strike, but also Jonathan Majors’ ongoing legal woes. To no surprise, Searchlight won’t be opening the actor’s Sundance critically acclaimed drama Magazine Dreams on Dec.
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As Vanessa Hudgens and MLB baseball player Cole Tucker get ready to soon say “I do,” the High School Musical star just went untraditional with a pre-wedding tradition in the most on-brand way. Over the years, Hudgens has made it known how much she loves the Halloween holiday, so now that she’s revealed how she
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Sofia Coppola is undeniably a filmmaker with a distinct and unique style. Her acclaimed body of work, including films such as Lost in Translation, Marie Antoinette, and The Virgin Suicides, has consistently captivated audiences with her mesmerizing storytelling. I eagerly await her forthcoming A24 flick, Priscilla, but an unmade project holds my interest too. Before
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