Focus Features’ Sundance-premiering Polite Society opens on 927 screens, the feature debut of writer/director Nida Manzoor, creator of We Are Lady Parts, the Peacock comedy about the eponymous British punk rock band. This comedic mash-up of sisterly affection, parental disappointment and bold action, where martial artist-in-training Ria Khan tryies to save her older sister from
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Searchlight has set a Sept. 8 theatrical release for their second movie with filmmaker Yorgos Lanthimos, Poor Things. The movie sees The Favourite director back with that pic’s star Emma Stone. She also produces here. Stone plays Bella Baxter (Stone), a young woman brought back to life by the brilliant and unorthodox scientist Dr. Godwin
The latest Hunger Games, set decades before the original, is grittier and “more authentic” in some ways but doesn’t waver from existential questions, as relevant now as they were when the first films came out, said the director and producer of Ballads of Songbirds And Snakes. “Are we worthy of freedom? Are we unable to
Lionsgate dropped the trailer for its prequel film The Hunger Games: The Ballad of Songbirds and Snakes at CinemaCon today. It’s a first look at tribute Lucy Gray Baird (Rachel Zegler) and Coriolanus Snow (Tom Blyth), with Peter Dinklage as the vindictive Casca Highbottom, Dean of the Academy, creator of the Hunger Games. Viola Davis is
Eightyseven North brought a stunt dance crew and motorocycles on stage toward the finale of Universal’s CinemaCon presentation for their 2024 movie The Fall Guy. Quite often the studios here at CinemaCon keep it confined to showing off 2023 product, but Uni wanted to give exhibitors in the room something more. Following the Fast X
“We thought we’d give you a little taste of it,” said Universal Pictures boss about Wicked, which is in production in London with Jon Chu directing and Ariana Grande and Cynthia Erivo in the respective roles of Glinda and Elphaba. The rough footage, which even some Uni execs haven’t seen, showed, Elphaba getting trained by
A pre-taped message from Harrison Ford introduced an extended action clip from Lucasfilms’ highly anticipated Indiana Jones and the Dial of Destiny during Disney’s CinemaCon presentation here in Las Vegas this morning. Said the veteran actor, “Hello CinemaCon! Playing Indiana Jones all these years has meant the world to me. (The movies) have adventure and heart — and
Multi-award-winning German actress, screenwriter and producer Niki J. Borger and multi-award-winning Israeli producer and director Roy Shellef have been named judges in the newly instated Legacy International Film Festival. As the first ever crypto-funded film festival, Legacy International Film Festival stands for accessibility, transparency, and fairness. They want to give up-and-coming artists not only the
AMC Entertainment chief executive Adam Aron said a booming box office and sharp pivot to theatrical by studios and streamers makes him “as relaxed and confident about AMC future as I possibly can be.” Speaking with Deadline at CinemaCon in Las Vegas on Tuesday, Aron indicated the icing on the cake would be a judge’s
Warner Bros. has no worries in The Flash. The studio knew they had the goods on the DC multiverse movie which brings together Ben Affleck and Michael Keaton’s Batman, Gal Gadot’s Wonder Woman, Michael Shannon’s General Zod and a new Supergirl in Sasha Calle, and boldly premiered the movie here at CinemaCon Las Vegas to
Teeing off a half hour of DC material in a two hour Warner Bros presetation at CinemaCon was the first ever trailer to Aquaman and the Lost Kingdom. Filmmaker James Wan couldn’t be here at CinemaCon, nor star Jason Momoa, but both appeared by video. Wan said Aquaman 2 visits “beautiful strange new worlds” where
“I thank you from the bottom of my heart,” Denzel Washington told a Colosseum-full of exhibition executives at CinemaCon. The star of The Equalizer 3 — first trailer dropping tomorrow — received a Lifetime Achievement Award presented by director Antoine Fuqua during Sony’s presentation, which kicked off the annual four day-event in Las Vegas. “We
Producer Jason Reitman appeared via video sans footage with the Ghostbusters: Afterlife sequel cast of McKenna Grace, Finn Wolfhard, Paul Rudd and Carrie Coon in what was the first look of the movie. Reitman confirmed that the new sequel, due out on December 20, returns the franchise back to New York City where the first
An oft-heard lament on the part of international distribution is that Italy is impossible to program in the summer. In 2019, there was an effort on the part of the studios and the local industry to steer the season in a different direction resulting in record results, but the pandemic halted momentum. At the end
In a week when distributors and exhibitors are reconvening for their annual Las Vegas meet-up, CinemaCon, and celebrating the post-pandemic resurge of the box office, the motion picture industry is bracing for a potential WGA strike. With production and deal-making slowing down, especially with 98% of WGA West and WGA East authorizing a strike if
Ari Aster’s Beau Is Afraid did decent business in its second week, expanding from four screens to well over 900 for a gross of $2.7+ million and a cume of $3.14 million. The A24 film starring Joaquin Phoenix has a $2.8k per screen average and no. 9 spot. It’s a weekend with a wide range
Refresh for latest…: Illumination/Nintendo/Universal’s The Super Mario Bros Movie continues its global domination, now with an estimated $871.8M through Sunday. Of that, $437.5M is from the international box office. The next worldwide benchmark of $900M will hit in the next days. It is only a matter of time for the Bros to get to $1B,
James Cameron climbs the ladder to cut the net for winning Deadline’s 2022 Most Valuable Blockbuster Movie Tournament after Avatar: The Way of Water cleared over a half-billion dollars in profit after all ancillaries. Given the sleeper nature of this sequel, and given the overall boom expected from this year’s global box office to $32
EXCLUSIVE: Deadline has learned that Warner Bros Discovery CEO and President, David Zaslav, will be teeing off Warner Bros studio presentation at CinemaCon on Tuesday AM, April 25. While it’s standard for the heads of motion picture studio divisions, read Sony’s Tom Rothman, Universal’s Donna Langley, and former Warner Bros chief Toby Emmerich to share
New Line and Warner Bros’ Evil Dead Rise freaked out $2.5M last night from previews that began at 7PM at 3,000 locations. The Sam Raimi executive produced R-rated horror movie directed by Irish director Lee Cronin is eyeing a start between $15M-$20M+ as Illumination/Universal’s Super Mario Bros Movie swats any newcomers away from No. 1
After posting giant per screen numbers at four theaters last weekend, A24’s Beau Is Afraid jumps to 926 for the distributor’s third outing with Ari Aster. It’s a very different film from his horror favorites Hereditary and Midsommar but one the distributor hopes will cement the director’s place as a modern auteur. According to one
Deadline’s Most Valuable Blockbuster tournament took a hiatus during the pandemic as movie theaters closed for the majority of 2020-2021 and theatrical day-and-date titles on both the big screen and studios’ respective streaming platforms became more prevalent. Coming back from that brink, the studios have largely returned to their theatrical release models and the downstream
Exhibition cries for a supply of films at the box office, but a flood of titles means nothing if there isn’t any marketing money put behind it. Last weekend there were five wide releases going up against Illumination/Universal’s beast Super Mario Bros Movie. Did it even make a difference? Was a proper amount spent to
Ethan Coen’s Focus Features and Working Title comedy caper, Drive-Away Dolls, will open on Sept. 22. It won’t be a surprise to see this Margaret Qualley and Geraldine Viswanathan movie among the lineups of the fall film festival trifecta. Written by Coen and Tricia Cooke, Drive-Away Dolls follows Jamie, an uninhibited free spirit bemoaning yet
Deadline’s Most Valuable Blockbuster tournament took a hiatus during the pandemic as movie theaters closed for the majority of 2020-2021 and theatrical day-and-date titles on both the big screen and studios’ respective streaming platforms became more prevalent. Coming back from that brink, the studios have largely returned to their theatrical release models and the downstream
The Phantom of the Opera, Andrew Lloyd Webber’s musical that closed its Broadway run on Sunday after 35 years, went out on a very high note: Box office receipts for the show’s final week hit a best-ever $3,739,934. Playing, of course, to standing room only audiences at longtime venue the Majestic Theatre, Phantom commanded a
Regal parent Cineworld has decided to terminate the marketing process for its businesses outside of the U.S., UK and Ireland. Although it received offers from “a number of prospective counterparties,” the proposals “did not meet the value level required by the group’s lenders,” the exhibition giant said today. The so-called “rest of world” businesses include
After working together on the combined half billion-plus grossing hits, Split and Glass, James McAvoy and Blumhouse are reteaming for a remake of Danish thriller, Speak No Evil. James Watkins (The Woman in Black) will direct from his script. Universal has set a theatrical release of Aug. 9, 2024. In the original 2022 movie, a
After 35 years, Andrew Lloyd Webber’s The Phantom of the Opera took its final curtain call on Sunday night at the Majestic Theatre in New York. This was show No. 13,981 of the longest-running show in Broadway history and was dedicated by Lloyd Webber to his son Nicholas who died last month after a battle
Beau Is Afraid posted the top per-screen average of the year so far and the best limited opening for distributor A4 since Uncut Gems, grossing an estimated $320,396 at four locations in New York and LA for a hefty per screen average of $80k+ to sold out shows on both coasts. (Uncut Gems with Adam
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