Movies

Not to gush, but let’s seriously behold the success of Media Rights Capital and Lionsgate’s Knives Out.  We’ve already overwritten how the whodunit is a win for original movies in last year’s Disney franchise-laden theatrical environment. But this Rian Johnson-directed, star-studded film just won’t give up in its current sixth weekend of release, poised to
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As blockbusters battled it out at the box office, the specialty space hit high notes with Judy, flew with The Peanut Butter Falcon, shined with Uncut Gems and gave us one helluva Farewell. Major box office strides were made in 2019 with fare from indie, art-house-driven distributors that delivered confident numbers, proving that audiences are craving bold and
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EXCLUSIVE: Twentieth Century Fox/Chernin Entertainment’s Ford V Ferrari has revved its engines past the $200M mark globally, accelerating to $200.6M through Monday. The split is $106.6M domestic and $94M at the international box office. Disney is handling the awards-season contender that reps the sort of movies Fox has excelled at making. Directed by James Mangold
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The 2010s saw Disney rise from being one of the major Hollywood studios to dominating the field, thanks to its stream of animated films and live-action remakes, not to mention the revival of Star Wars and the expansion of Marvel Studios. And now, Disney has positioned itself to be even bigger in the 2020s thanks
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Hollywood’s unofficial wake-up call came on February 1, 2013, when Netflix dropped the first season of House of Cards in a single, binge-able chunk. While that distinctive release pattern hasn’t yet become the official norm — many new rivals to Netflix insist on the traditional episode-at-a-time approach — the whole gestalt of the show signaled
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10 minutes ago 2020 is upon us, and with the dawning of the new year we’re just one more day closer to seeing Tom Cruise firing up a fighter jet in the long awaited sequel Top Gun: Maverick. Reteaming with Oblivion collaborator, director Joseph Kosinski, the legendary military action drama will take to the skies
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The holiday season boosted Broadway box office for the week ending December 29, with a spate of weekly records established by shows including West Side Story, Beetlejuice, a couple of bio-musicals and others. Total grosses came in at $55,765,408, according to the trade group Broadway League. That was about $2 million lower than the tally for
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Avengers: Endgame has a subtle, yet brilliant, reference to Back to the Future Part II during its epic climax. After the devastating ending of Avengers: Infinity War, the remaining Avengers try and fail to resurrect the dusted victims of Thanos’ snap, locating the Mad Titan only to discover that he has destroyed the Infinity Stoes. Five years later, after the world
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Well, that took some time. Finally, the 2019 domestic box office –which was loaded with mega Disney IP such as the second-highest grossing domestic title of all-time Avengers: Endgame ($858.3M), along with the Burbank, CA studio owning seven of the top ten pics of the year (all in excess of $362M-plus) –has crossed $11 billion.
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Another big day for Disney’s Star Wars: Rise of Skywalker with a Dec. 26 estimated gross of $30.7M, -4% from Christmas Day. Industry sources are forecasting that through the ninth-quel’s first ten days by Sunday, the J.J. Abrams directed movie will hit $380.9M, pacing 3% ahead of Last Jedi at the same point in time. Pretty impressive for
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Broadway’s 2019 was one of lofty highs: the sumptuousness of Hadestown, the twin shocks of Oklahoma! and Slave Play, the marvelous risk-taking of What The Constitution Means To Me and Gary: A Sequel To Titus Andronicus, the belly laughs of Tootsie, the star-making arrival of Tina‘s Adrienne Warren and the star-confirming stands of American Utopia‘s
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Warning: The following contains SPOILERS for the season finale of The Mandalorian – The final episode of season 1 of The Mandalorian made the shocking revelation that Moff Gideon is in possession of the Darksaber. The whole season has been full of references and callbacks to a number different Star Wars properties, but the first live-action appearance
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Sony’s long-awaited Will Smith and Martin Lawrence re-team Bad Boys for Life arrived on tracking today with a $40M-$45M 4-day opening projection. Among action comedies launched over the holiday, that forecast is around where Ride Along ($48.6M) and Ride Along 2 ($41M) opened. 2014’s Ride Along starring Kevin Hart and Ice Cube was the record opening over MLK until Clint Eastwood’s
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