Movies

EXCLUSIVE: Deadline has learned that Oscar winning filmmaker Martin Scorsese will be making an appearance at CinemaCon this year to receive the Legend of Cinema Award. The honor will happen during a sitdown lunch discussion with Scorsese following Paramount Pictures’ Thursday morning presentation on April 27. It’s very timely as Scorsese in mid-May will have

As rival motion picture studios were becoming intoxicated on theatrical day-and-date releases tied to their streaming platforms during Covid, and big streamers like Netflix completely sidestepping wide theatrical releases, Warner Bros. Discovery CEO David Zaslav believed in the economics of the big picture. Upon taking control of the new conglom last year, he immediately swiped

The nation’s biggest movie theater advertising network National CineMedia said tonight it’s filed a voluntary Chapter 11 petition in U.S. District Court in the Southern District of Texas – where one of its biggest shareholders and customers, Regal parent Cineworld, has just presented a restructuring plan to emerge from bankruptcy itself.   Cineworld filed in

Broadway showed signs of a spring blossoming last week, with box office receipts and ticket prices taking their traditional climb during the tourist-bumped week leading up to Easter. In all, the 33 productions grossed $38,594,054, a 12% increase over the previous week. Attendance for the week ending April 9 was 280,760, up 4%. The more

EXCLUSIVE: Distribution executive Jasper Basch is returning to Variance Films, this time as their new Head of Distribution. He will be departing IFC Films as their Director of Sales and Distribution toward the end of this week, marking the third senior staff departure for the company in two weeks. Basch originally started his career at

Further to its April 3 announcement that it had reached a conditional agreement with lenders to emerge from Chapter 11, Regal owner Cineworld today submitted its reorganization plan to the U.S. Bankruptcy Court for the Southern District of Texas.  In a filing to the London Stock Exchange where its shares are traded, the exhibition giant

Deadline’s Most Valuable Blockbuster tournament took a hiatus during the pandemic as movie theaters closed for the majority of 2020-2021 and theatrical day-and-date titles on both the big screen and studios’ respective streaming platforms became more prevalent. Coming back from that brink, the studios have largely returned to their theatrical release models and the downstream

While streamers typically get by on thrifty marketing budgets, pushing content largely on their menus, most motion picture studios, like Universal, still have all the superpowers in the world to blast a movie out of a canon. But here’s something to keep in mind as we detail Universal’s promo playbook below in propelling Illumination/Nintendo’s Super

Oscilloscope Laboratories’ Cannes Jury Prize Winner and Independent Spirit international film winner Joyland led New York’s Film Forum to one of its biggest opening weekends for a foreign language film in nearly a decade, taking in north of $21k on one screen, the distributor said. Buoyed by strong reviews and strategic marketing, the film by Saim Sadiq sold out nine showtimes,

The judge in a case brought by meme stock shareholders against AMC Entertainment declined to approve a settlement unveiled earlier this week that would have allowed the exhibitor to move ahead with plans to convert its AMC Preferred Equity units (APEs) to common stock, among other measures. AMC on April 3 entered into a binding

Elizabeth Banks genre comedy, Cocaine Bear, will be debuting on Universal’s streaming service Peacock 50 days after its theatrical debut. The movie is based on a true situation that went down in 1985 whereby a drug cartel’s lost cocaine stash air dropped in the Georgia woods, and wound up in a bear’s nose. Cocaine Bear

Owen Wilson is back, with brushes, as the longtime host of a beloved but fading Burlington, Vermont-based PBS instructional art show. Paint from IFC Films opens on 800+ screens. Public television is always ripe for parody and happens to be a world Wilson knows. His father Robert Wilson helped launch, and ran, Dallas PBS station

Deadline’s Most Valuable Blockbuster tournament took a hiatus during the pandemic as movie theaters closed for the majority of 2020-2021 and theatrical day-and-date titles on both the big screen and studios’ respective streaming platforms became more prevalent. Coming back from that brink, the studios have largely returned to their theatrical release models and the downstream

Universal Pictures, Atomic Monster and Blumhouse’s Night Swim is now opening on Jan. 5, 2024 instead of Jan. 19. That first weekend of the New Year is a highly coveted spot for horror movies. That’s where Blumhouse/Universal’s M3GAN opened to $30.4M and went on to gross $95M. Night Swim logline: No running. No diving. No

Deadline’s Most Valuable Blockbuster tournament took a hiatus during the pandemic as movie theaters closed for the majority of 2020-2021 and theatrical day-and-date titles on both the big screen and studios’ respective streaming platforms became more prevalent. Coming back from that brink, the studios have largely returned to their theatrical release models and the downstream

Deadline’s Most Valuable Blockbuster tournament took a hiatus during the pandemic as movie theaters closed for the majority of 2020-2021 and theatrical day-and-date titles on both the big screen and studios’ respective streaming platforms became more prevalent. Coming back from that brink, the studios have largely returned to their theatrical release models and the downstream

THURSDAY UPDATE, Refresh for latest…: With numbers now in for the 44 overseas markets that opened on Wednesday, Illumination/Nintendo/Universal’s The Super Mario Bros Movie had a more than peachy debut with $34.7M through yesterday at the international box office. Combined with Wednesday’s domestic bow, the global one-day total is $66.4M. Several milestones/records were set in

Illumination/Nintendo/Universal’s Super Mario Bros Movie doesn’t need a mushroom to get bigger, it just organically is. Out of the gate today Wednesday, sans any Tuesday previews, the feature take of the classic game is looking at $26M, for what’s translating into a $86.2M 3-day, $127.5M Wednesday through Sunday haul. Interesting, even though its opening day

Blumhouse’s feature take of videogame Five Nights at Freddy’s is going theatrical day and date with Peacock on Oct. 27 this year. The pic will go wide. This is the fourth Blumhouse movie to day and date with Universal’s streaming service after Halloween Kills, Halloween Ends and Firestarter. While arguments can be made that these

Deadline’s Most Valuable Blockbuster tournament took a hiatus during the pandemic as movie theaters closed for the majority of 2020-2021 and theatrical day-and-date titles on both the big screen and studios’ respective streaming platforms became more prevalent. Coming back from that brink, the studios have largely returned to their theatrical release models and the downstream

Anthony Ramos and Dominique Fishback have been set to receive the Rising Stars of the Year Award at CinemaCon 2023. The Transformers: Rise of the Beasts duo will receive the recognition from NATO’s official convention at its Big Screen Achievement Awards ceremony, which takes place at The Colosseum at Caesars Palace in Las Vegas the

Deadline’s Most Valuable Blockbuster tournament took a hiatus during the pandemic as movie theaters closed for the majority of 2020-2021 and theatrical day-and-date titles on both the big screen and studio’s respective streaming platforms became more prevalent. Coming back from that pandemical brink, the motion picture studios have largely returned to their theatrical release models

Deadline’s Most Valuable Blockbuster tournament took a hiatus during the pandemic as movie theatres closed for the majority of 2020-2021 and theatrical day-and-date titles on both the big screen and studio’s respective streaming platforms became more prevalent. Coming back from that pandemical brink, the motion picture studies have largely returned to their theatrical release models

AMC Entertainment has taken a big step forward on a few key fronts, announcing a settlement in a shareholder lawsuit that would allow it to issue stock, raise capital, convert its APE units and go ahead with a ten-for-one reverse stock split – basically a lifeline if it needs one. Shareholders had approved the much-needed

Who says people don’t go to the movies? That stale cynicism coming out of the pandemic is about to get squashed this weekend as Illumination/Universal’s The Super Mario Bros Movie is about to run up a serious box office score. With a Wednesday opening before Easter around the world, inclusive of 70 offshore markets, the

John Vanco, longtime SVP and GM of arthouse IFC Center in NYC has joined Netflix as film programmer for the streamer’s cinemas. “I’m thrilled to share the news that after 18 years of presenting the world’s best films at IFC Center, I will be moving to Netflix on April 10 to help lead their efforts

Regal owner Cineworld has entered into a restructuring support agreement and a backstop commitment agreement with lenders that will, if approved, see it emerge from bankruptcy. The exhibition giant also noted today that it has received non-binding proposals for some or all of the group’s assets but determined that absent an all-cash bid significantly in

Refresh for latest…: Coming in higher than expected, Paramount/eOne’s Dungeons & Dragons: Honor Among Thieves took a $71.5M global bow this weekend; that includes $33M from 60 offshore markets which is nicely above the $25M+ projected ahead of the frame. Standout markets included the UK (where eOne distributes) at No. 1 with $4.3M; Mexico and

Arianna Bocco, IFC Films President, is out at the distributor, Deadline has confirmed. Bocco is a 17 year vet at the indie label. She was named President in December 2020 after being the only distributor to give those few theaters bravely scrapping by during Covid, product including Dave Franco’s directorial, The Rental. Bocco will be

In the latest episode of Crew Call, we talk to Dungeons & Dragons: Honor Among Thieves directors, scribes and EPs John Francis Daley and Jonathan Goldstein about the vision they sold to Paramount to make the dark and dingy world of the role playing game, not just fun, but funnier. And even more so, a