Movies

Two from Magnolia Pictures, the story of an iconic record album design firm back and a sighting of Brian Cox usher in a specialty weekend with smoke clearing over New York City. Acrid plumes from Canadian wildfires have smothered the key arthouse market over the past few days in an unusual air quality event that
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Five-time Emmy winner and Grammy Award nominee Wayne Brady will play the title character in The Wiz revival when it lands on Broadway in spring 2024, producers announced today, with Doom Patrol’s Alan Mingo Jr. (Kinky Boots) taking the role during many of the production’s pre-Broadway tour dates. The casting comes after the recent news
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In the wake of world premiering in Cannes to lackluster film reviews at 50% Rotten, Disney/Lucasfilm’s Indiana Jones and the Dial of Destiny is currently looking at a $60M+ domestic opening. The movie opens on June 30 heading into what is conceivably a five-day play period given that Independence Day falls on a Tuesday. Dial
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Despite all the noise The Flash star Ezra Miller created off set in the last year including a burglary charge for stealing liquor from a neighbor’s house in Vermont, among myriad other tabloid headlines, filmmakers who’ve worked with the actor vouch they’re the consummate professional with zero melodrama on set. Daliland filmmaker Mary Harron told
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Summer’s tentpole rumble continues this weekend with Paramount’s seventh Transformers movie, Transformers: Rise of the Beasts, which is heat-seeking $155 million at the worldwide box office for its opening frame, $100M of that offshore. The movie reps a concentrated reboot by the studio of the long-in-tooth robots-in-disguise franchise, which has suffered in latter installments from
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After the massive weekend success of Sony Animation’s Spider-Man: Across the Spider-Verse, many rival studios are looking at executing their comic book IP differently on the big screen. Quite often, animated superhero projects are released directly to the home (think Warner Bros-DC’s myriad superhero toon movies like 2010’s Superman/Shazam!: The Return of Black Adam and
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D. Barry Reardon, former longtime Warner Bros. President of Sales and Distribution, has died at 92. The exec known as “The Dean of Distribution” among industry peers and filmmakers passed May 27 in Vero Beach, FL. Reardon was the head of theatrical distribution at Warner Bros from 1978-99, and was known for breaking the mold
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Broadway box office overall held steady last week, even as the recent Tony Award nominations already seemed to lose some of their power to boost ticket sales. Some shows with nominations saw declines at the box office, from Good Night, Oscar and Some Like It Hot to Leopoldstadt and New York, New York. For the
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Columbia Pictures’ and Sony Pictures Animation’s Spider-Man: Across the Universe is casting its web in international box office markets with  $13.5M through Thursday. That’s 2.5x the original in like-for-likes.  Notable in early reporting, India broke the local all-time opening day record for an animated movie with $610K while releasing on a non-traditional Thursday. The launch day gross is higher than
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A24 follows You Hurt My Feelings last weekend with dual-language romance Past Lives, starting a platform release on four screens in New York and LA including Q&As led by talent who have been champions of the film, including Steve Buscemi, Jodie Turner-Smith and Lulu Wang. Expanding this month. The Sundance premiering pic by Celine Song,
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EXCLUSIVE: Sony Animation’s Spider-Man: Across the Spider-Verse is doing some serious business tonight according to box office sources, accumulating $16M off previews that began at 3PM at 3,562 theaters. That’s the second best preview night ever for an animated movie after Disney/Pixar’s Incredibles 2 ($18.5M) from June 2018. Disney/Pixar’s Toy Story 4, with $12M, is
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In a rare situation for a Disney tentpole, particularly a live-action title based on a treasured classic animated musical, The Little Mermaid looks to bank more at the domestic box office ultimately than overseas, with $300M-$350M U.S./Canada to $260M abroad. At that level, per finance sources, off a reported $250M production cost and $140M global
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Last night at the world premiere of Spider-Man: Across the Spider-Verse there was a huge sigh of relief from the mass of animators inside Westwood’s Regency Village Theater: the $100M budgeted sequel to the Oscar winning animated movie, Spider-Man: Into the Spider-Verse, was done; having completed post-production literally just ten days ago after a five-year
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Talk about legs — or, more appropriately, wings: Paramount/Skydance’s Top Gun: Maverick is still playing in Japanese cinemas a full year on from its debut. Continuing on from a stratospheric and super-leggy run, the sequel, on its 365th day of release, became Tom Cruise’s biggest film ever in the market. In doing so, it overtook
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Refresh for latest…: Disney’s live-action take on The Little Mermaid is doing swimmingly at the domestic box office, with a three-day opening of $95.5M and a four-day projection of $117.5M. Factoring in the international box office bow of $68.3M, that makes for an estimated $163.8M global debut through Sunday. The offshore launch is lower than
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Refresh for latest…: Apart from big new opener The Little Mermaid, which we detailed here, this weekend was notable for propelling Universal’s Fast X past the $500M mark globally, and Disney/Marvel’s Guardians of the Galaxy Vol. 3 to over $730M worldwide. The Fast & Furious franchise had, earlier this week, crossed $7B globally while the
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The arthouse box office hasn’t recovered quickly post-Covid, but one of the oases for the sector, even by pre-pandemic benchmarks, has always been a Wes Anderson movie. This summer we have his latest all-star absurdist comedy, Asteroid City, which just premiered at Cannes, which begins its limited run on June 16. How big has Anderson
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