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I had been hired to do a draft of Resurrection. I was working with an exec over there, Nick Phillips. We were both incredibly enthusiastic about the franchise, and really excited by it. We were just nerds about it, and would talk about Halloween constantly. We knew every character, every death. It’s one of my favorite franchises. After turning in Resurrection, I was told that there was kind of an internal, ‘Let’s press pause on where the franchise goes next’ [approach]. So I had come up with the idea for The Missing Years, and basically said, ‘Hey, it’s a completely different direction, but maybe this is the shot in the arm it needs to keep the franchise going, but in a different direction.’ They responded to my take, they hired me, and I wrote it. I was really excited about the prospect of that one. A year or two after finishing that script, it was decided internally, ‘No, let’s hire Rob and just do a remake.’ The Missing Years would have been the last of that franchise before it was remade.