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You’re the Problem, It’s You
Emma R. Alban adds a second book to her Mischief & Matchmaking series with You’re the Problem, It’s You. It’s the start of a new season in Victorian London, and second son Bobby Mason is finding his role as the spare particularly unrewarding. Everyone seems busy: his older brother and his uncle with Parliament; his cousin, Gwen, and her lover, Beth, with each other and their newfound happiness. But then James, the new Viscount Demeroven, appears on the scene. Bobby is sure of their mutual attraction, so the other man’s rejection of him galls. It takes time for Bobby to fully understand that James is dealing with severe anxiety, and fears that his sexuality might alienate him from society and tarnish his family name. But when blackmail threatens the two men, can a mutual enemy turn them into forever lovers? Alban skillfully captures James’ emotions, including his absolute yearning for Bobby, in this wonderful depiction of found families and their power to heal.
No One Does It Like You
Happily ever after gets a second chance at success in No One Does It Like You by Katie Shepard. In a terrifying moment during a hurricane, Broadway actor Tom Wilczewski leaves a voicemail for Rose Kelly, the ex-wife he hasn’t seen in 10 years. He loves her, he always has and he hopes he lives to make it up to her for all that went wrong between them. Tom survives, Rose gets the message and, seeing as she’s in a tough spot of her own, she begs him to help her restore her aunt’s inn on Martha’s Vineyard. Several amusing weeks of property rehab commence while Shepard examines how young lovers can make wrong assumptions and decisions. Rose is a fixer and Tom relied on her for too much: Can they love again while not falling into old habits? A cast of entertaining characters tramp through the plot of this sweet yet realistic love story.
Confounding Oaths
The fairy world intersects with Regency London in Alexis Hall’s Confounding Oaths. Loaded with clever banter and fascinating characters, the story follows John Caesar as he tries to help his sister Mary navigate society after she makes an ill-advised deal with a malicious fairy godmother. John’s quest to save Mary brings him to dashing Captain Orestes James, a war hero whose skills and rapscallion friends become necessary to rescue the girl. Shakespeare’s Puck serves as narrator, and the snarky, world-weary hobgoblin’s amusing asides contribute to the sexy fun. (Although Puck’s disinterest in mortal lovemaking means that he’s light on any intimate details.) But it’s not all laughs, as issues of class, race and sexuality are also addressed in this imaginative and interesting addition to Hall’s oeuvre.